Carrie (1976)


Carrie (1976), directed by Brian De Palma, was the first movie to be made of a Stephen King novel. It was also King’s first book ,which he wrote while working at an industrial laundry for $1.60 an hour. According to King, he was only paid $2,500 for the rights to the story, however, he claims that he has no regrets because he believes that this was the best made film of any of his fiction.  Additionally, the box office success helped Stephen King to become a household name. Carrie made over $33 million in the US from a $1.8 million investment.

While casting for the film, Brian De Palma held a joint audition with George Lucas for both Carrie as well as Star Wars: A New Hope. A number of actors who were ultimately cast for Carrie attended the audition for Star Wars.

During the filming of Carrie, Steven Spielberg often visited the set upon invitation by Brian De Palma who assured Spielberg that there were “a lot of cute girls” in his cast. According to actor P.J. Soles, Spielberg asked out most of the women on set and wound up marrying Amy Irving, who played Sue, from 1985-89.

The final moment of Carrie’s hand stretching out of the grave, reaching for Sue in her dream was made as an homage to the final moment of Deliverance (1972).This shot was once more copied in Friday the 13th (1980).

There are a few references to Psycho within the film. For example, the screeching music cue that accompanies Carrie’s powers throughout the film is the same as the screeching violins in Psycho‘s shower scene. Additionally, the high school that Carrie attends in the film is called Bates High School.


Plot Summary

Carrie White (Sissy Spacek), a bullied teenage outsider, is terrified when she gets her first period while at her school’s locker room following gym class. She didn’t know what it was and assumed she was dying. After pleading with the other girls for help, she is met with calls of “Plug it up!” and tampons and pads are thrown at her. The gym teacher, Miss Collins (Betty Buckley), furious with the girls’  behavior, punishes them with multiple after-school gym detentions, with the threat of not being allowed to attend prom if they skip these detention sessions. One of the girls involved, Sue Snell (Amy Irving), feels badly for the way she and the others treated Carrie. In order to make amends, she asks her boyfriend Tommy (William Katt), a popular and athletic student, to take Carrie to prom. Tommy reluctantly agrees. Meanwhile, Carrie is discovering that she has suddenly acquired telekinetic powers after the locker room incident. After Tommy invites her to prom, Carrie, assuming it’s just another joke at her expense, initially declines, however after some encouragement from Miss Collins and Tommy, agrees. Unfortunately, Carrie’s mother, Margaret White (Piper Laurie) is a religious fanatic who grows angry at anything involving Carrie’s sexuality. For example, when she learns that Carrie received her first period, she locks Carrie in a tiny prayer closet for hours. She tells Carrie that she isn’t allowed to go to prom or date, however, with her newfound power, Carrie tells her mother that she’s going no matter what. One of the girls who made fun of Carrie in the locker room, Chris (Nancy Allen), refuses to attend the gym detention, instead accepting the harsher punishment of not being allowed to attend prom. She, however, has other plans. In order to seek her revenge on Carrie, who she blames for her lack of prom, Chris hires her boyfriend Billy (John Travolta) to help her execute a prank. They slaughter a pig and collect its blood. On prom night, Carrie is finally happy and describes her night as “a dream.” Even Tommy seems to be enjoying his time with Carrie, dancing with and kissing her. As part of Chris’s prank, Carrie and Tommy are elected prom queen and king, however, when she gets on to the stage, a hidden bucket of pig’s blood is poured all over her. After seeing everyone in the crowd, including Miss Collins, laughing at her, Carrie realizes that her mother (who warned that “they’re all gonna laugh at you”) was right. Carrie exacts her revenge, using her telekinetic powers to lock the gym doors, spray prom attendees with heavy-duty hoses, and start a fire in the gym. It’s assumed that everyone (including Tommy) besides Carrie dies who was present in the gym. Carrie also kills Chris and Billy by turning their car over and making it explode after she catches them trying to hit her with the car. Finally, she returns home, takes a bath, and seeks out her mother. Crying, she tells her mother that she was right all along and asks for forgiveness. Mrs. White says she forgives Carrie, saying that it was her own fault for not killing her when she was first born, since she was created out of sin. Mrs. White then stabs Carrie in the back while they are hugging. Carrie then turns on her mother, ultimately stabbing her multiple times, so that she is stuck to a doorway in the same position as the Jesus figurine is in the dreaded prayer closet. Carrie then causes the whole house to break apart and sink underground, along with herself and her mother. Sue, the sole survivor, wakes up from a dream in which Carrie’s hand rises from the grave and grabs at Sue. Sue is screaming, raving and crying (it seems like she has some form of PTSD), while her mother tries to calm her down.

Carrie’s crucified mother

The Jesus statue in the White household prayer closet

Notes & Quotes

  • Once again, an incomplete and perverted version of the American family is present in this horror film. Mrs. White is a single mother to her daughter Carrie. They speak of Carrie’s father briefly in the film. Apparently he left her and has never contacted either his wife or daughter since, but Mrs. White interprets this as God taking her husband away from her as a way of punishment for her sins. Mrs. White also tells Carrie that she and her husband tried to remain pure even after marriage, but one night, her husband was drunk on whiskey and “took her” and she “liked it.” This, according to Mrs. White, was how Carrie was born, and why she views Carrie as the product of sin. It seems that Mrs. White engages in two different jobs in order to keep herself and Carrie afloat: she sells Bibles and Christian pamphlets door to door (however this money may go to her church) and she sews at home. Carrie also knows how to sew and, instead of buying her prom dress, makes her own. Carrie’s room is bare except for a portrait of Jesus and a small mirror. This family is clearly separated from the Snell family, whose home we also see, due to the Whites’ refusal to engage in mass-produced products. This refusal is often tied to antagonistic and monstrous families in horror films, such as the Sawyer clan in The Texas Chain Saw Massacre (1974). Additionally, unlike Sue Snell, Carrie has no father figure at home, instead she only has a single overbearing mother. Therefore, according to horror film logic, Carrie is doomed to become something monstrous.

Carrie in her bedroom.

  • As Carol Clover notes, the audience is meant to identify with Carrie throughout the film (which is why it maybe doesn’t feel like a horror until the end, when Carrie becomes an undead monster in Sue’s nightmare). Clover specifically notes how teenaged boys were miraculously able to identify with a female character who is deeply marked by her female-ness (the story opens with her first period). I wonder whether anyone has examined this film through the lens of school shootings, a violent act notably enacted by males rather than females. Although Carrie doesn’t shoot her school mates, she does execute a bloody and violent revenge, with a major body count. This film adds to the myth that it is the bullied who commits school shootings, whereas in reality, the profile of a school shooter is much more complex. 


Palma, Brian De. Carrie. 1976,

Carrie (1976) by Caitlin Duffy is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

1 Comment

Add yours →

  1. Hi Caitlin, I enjoyed your synopsis. It was lovely &dynamic and I think got to the heart of the film. There is something almost medieval about the retribution. The Christ like figure in the prayer closet is actually a depiction of St Sebastian. His cult lasted many hundreds of years. There’s a relinquary at the V&A museum in London (on-line) with the same pose although without the demonic eyes.

© 2024 Caitlin Duffy

Theme by Anders NorénUp ↑