Category: Film (page 1 of 5)

Dead Pledges (2016): “Houses of Horror”

“Making Monsters, or Serializing Killers” (1998)

Creep (2014)

How do human characters change as a result of their relationship with nature in horror films?

How can survival game films within the horror genre work to render the contemporary “subject of life interest” visible?

Contemporary Drift (2017)

Saw (2004)

Funny Games (2007)

Monsters of the Market: Zombies, Vampires, and Global Capitalism (2011)

Splinter (2008)

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